In 1990 participated in a show of tribute to Lola Flores in Miami, in which she recorded the duet "Dejándonos la piel". She was famous for these ballads also in Hispano-America, where perhaps she remained in fashion for longer than in Spain, which explains her later scores with Mexican and Caribbean rhythms: "Me ha dicho la luna", "Te cambio mi bulería".She recorded duets with famous figures from that continent: with José Luis Rodríguez "El Puma" the song "Amigo amor" and with Ana Gabriel the ambiguous song "Amor silencio". The prolonged celebrity of Rocío lies in the romantic songs rather than in its purely Andalusian folkloric facet. Many of them composed by Manuel Alejandro and recorded by José Antonio Álvarez Alija. In the 70's and 80's Rocío recorded her most unmistakable successes: "Como una ola", "Señora", "Como yo te amo", "Ese hombre", "Se nos rompió el amor", "A que no te vas", "Muera el amor", "Vibro". Rocío alternated the flamenco tailed dress (bata de cola) with sumptuous evening dresses, sometimes highly commented on for their audacity. Popular in the 60's and early 70's, in part on account of some appearances as an actress in television and film as in the Curro Jiménez series, Rocío made the leap to international stardom by adopting a melodic repertoire of romantic ballad with orchestral instruments and a personal image (make-up, hairdressing and costumes) in accordance with the European style. Professionally, Rocío Jurado emerged with a repertoire mostly of copla, an Andalusian traditional genre that was beginning to lose force which she revitalized with energetic performances, as much in voice as in stage presence. Until she was 16 she could not sing in the tablaos, so she falsified her date of birth, adding two more years by saying that she was born in 1944 instead of 1946. Rocío had always said that she was born in 1944 because when she arrived in Madrid to sing in 1960 she was a minor. Her workmate, the flamenco singer and dancer Cañeta de Málaga, who had also arrived in Madrid under age to seek her art and was hired in El Duende, recalls in an interview how the young Rocío sang "sus alegrías, sus tientos y sus cosas de la Piquer". Being a minor, she had to wear clothes that made her appear older to avoid drawing the attention of the authorities. Pastora Imperio immediately hired Rocío for the tablao (flamenco stage) she ran: El Duende, one of the first of the tablaos period. A friend of her mother introduced her to Manolo Caracol, her teacher. She came to be known as "The Girl of the Awards" after winning every radio station contest she entered. She worked as a shoemaker and as a fruit picker, and still had time to show up at Radio Sevilla contests. After her father's death, she helped with the precarious family finances. ![]() She learned to work hard when she was a girl, She sang in the church, and took part in some festivals organized by her school when she was fifteen. Rocío Jurado was the eldest of 3 children, Gloria (1950) and Amador (1953) and she had 3 nephews and 5 nieces.Īt home, Rocío Jurado learned to love music her first public performance was at the age of eight, in a play at Colegio La Divina Pastora. Her father, Fernando Mohedano Crespo (died at 36 years old), was a shoemaker and flamenco singer in his spare time her mother, Rocío Jurado Bernal (died at 52 years old because of pancreatic cancer), was housewife and amateur performer of Andalusian traditional music. Rocío Jurado was born on Calvo Soto Street #11, Chipiona ( Cádiz) in Andalusia, Spain. She received 5 platinum and 30 gold discs. Rocío Jurado sold more than 16 million records, making her one of the best-selling Spanish female singers. In 2000 in New York City, she won the prize "La voz del Milenio" for best female voice of the 20th century. She was born in Chipiona ( Cádiz) and nicknamed "La más grande" ("The Greatest"). ![]() María del Rocío Mohedano Jurado ( Spanish pronunciation:, 18 September 1944 – 1 June 2006), better known as Rocío Jurado, was a Spanish singer and actress.
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